Through my art, I aim to capture a delicate yet intense sense of the relationship between nature and humanity today — their destructive unity, and the fragile beauty of this bond.

In my photographs, I depict reality as a dynamic interplay of hybrid organisms and totems. By "totems," I refer to a series of sculptures I create using objects found in the streets, combined with clay elements I sculpt myself. I’m fascinated by the contrast between the human-made, artificial clay modules and the raw, chaotic objects from the streets. This juxtaposition reorganizes and reshapes these objects, allowing them to transcend their original functions.

It's essential for me to document these fragile compositions, as they cannot exist in real life for long. In a state of utmost focus, I find balance between objects, compiling an album of portraits of places and sensations.

Once I’ve captured the image, I dismantle the sculpture, freeing the space for new creations. The world is in constant, rapid flux, and I see my role as recording these fleeting states.